Yet there are still sounds of hope within the whole of it.
A collection of musical atmospheres based on his World War I field experiences…. The Willie Nelson tune is an interesting one because of the E pedal. For more information you can google Theory of Musical Equilibration. The Theory of Musical Equilibration applies this principle as it constructs a system which outlines and explains the emotional nature of musical harmonies. This distinction also applies for the emotional character of a minor chord: if a minor harmony is repeated faster and at greater volume, its sad nature appears to have suddenly turned into fury. The Theory of Musical Equilibration states that in contrast to previous hypotheses, music does not directly describe emotions: instead, it evokes processes of will which the listener identifies with. Instead of moving from the brightest scale to the second brightest, you have just moved to a decidedly dark place. This surprising chord implies F Dorianalternatively known as C natural minor. Instead of trotting obediently around the circle of fifths like you expect, the D7 unexpectedly resolves to F minor instead. Landing on the G7 chord puts us back in C major.
The most conventional boring chord to follow D7 is G7, followed by C. And why is it so much more hip than the Beatles cadence? I think of the blues as being more about overcoming or enduring sadness than just expressing it. Still, the emotional impact of the blues cliche is very different. The descending chromatic feeling you get from D7 to Fm to C is related to a timeless blues riff. Nevertheless, the emotional effect is the same. I had the pleasure of performing this tune many times back in my country music days, and it makes a great lullaby for my kids. See also the happiest chord progression ever.
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